Rihanna's new album, Talk That Talk, is easily the most anticipated album of 2011. It comes hot off the heals of her 2010 release, Loud. What direction will she take? Will she sound like everything else on the radio? Will that Rihanna reign ever let up? Well, she answered all those questions and more when the album dropped on November 20th.
She friggin' killed it! The album opens with her embracing her Caribbean roots on You Da One. It's a fast-paced, love song with spice. She always adds a hint of gritty sexuality to even her sweetest songs. There's a dub-step bridge which is awesome, albeit a little mainstream. Next we have Where Have You Been - an electro-dance-power ballad. It builds slowly and then the European beats kick in and sitting still is impossible. As soon as ask" Are you hiding from me, somewhere in the crowwwwd?" Your shirt is off and you're sweating all over the dance floor. We Found Someone is the lyrically sparse first single. It has taken a really long time for this song to grow on me, but now I can really appreciate the music despite the fact that it feels like there are only a handful of words repeated over and over for three and a half minutes.
RiRi teams up with Jay-Z again on the title track. While Jay's verse leaves something to be desired ("I fly out to Pisa just to get some pizza"), Rihanna's part are solid. It's very tough and commanding, strong with a great beat! Cockiness (Love It) is definitely a contender for the best song on the album. It's just filthy! Rihanna does a little rapping / talk in the verses and it sounds so cool. She starts slow "I want you to be my sex slave" and then quickly add a bratty, abrasive "Anything that I desire...set my whole body on fire". Birthday Cake is only about 78 seconds, but it packs a punch! Another dirty song that would make me blush if I had to listen to it with my parents. Let's just say that she's not talking about cake with flour and sugar.
Midway through the album, she slows things down with We All Want Love and Drunk on Love. Both are good ballads, though her vocals aren't that impressive. Her voice has a distinct raspy, strained-quality that I like. While these songs sound good on the album, I know that I'd be disappointed to hear the live versions. Now let's get back to the sex, please. Roc Me Out is another dirty invitation to spend the night (or at least an hour). She sings naughtily, "I been a bad girl, daddy / Won't you come get me?" It's clear that songs about fucking (not love-making) are her forte. She's no Barry White. Watch n' Learn is the next track. Guess what it's about? Yep, sex! Another fine track. This one is dizzingly busy with a slightly Caribbean beat. The album ends with the epic ballad, Farewell. Is it about Chris Brown? Maybe, who knows? It's the only song on the album that demonstrates some artistic growth.
So that's the end of the standard edition. But who buys the standard edition when a deluxe edition is available? Exactly! No one. Red Lipstick is the first of the three bonus tracks. I've never been to a kinky, sex club that requires you to wear latex. But if I had to guess what a club like that would be like, it would be this song - "Do you right here while the whole world's watching". It's grimy and slow - very sex with a stranger in an alley. Musically, it's amazing. It's strong and confident. Do Ya Thang is a bubbly song about love. It reminds me a little of Nicki Minaj's Super Bass. I like it, but it just lacks the angry sexuality of the other songs. I feel like they could use it for a Pepsi commercial in the summer. Fool in Love is a hauntingly dark love song. This song features the strongest lyrics on the album. It's a perfect closer to a great album.
Is this her best work? No. It lacks the emotional vulnerability and rawness of Rated R. But it's much more cohesive that 2010's Loud. Whereas Loud was all over the place, Talk That Talk is focused. The subject matter is somewhat limited - it's basically love or sex, but it's well-executed! It's catchy as hell and I have no problem admitting that I dance to some songs in my apartment. I like that Rihanna is coming into her own. This album feels like only she could make it. Britney, Katy or J.Lo could not make this album. It feels authentically Rihanna, albeit emotionally shallow. These songs all work because of her voice, personality and style. Talk That Talk is a brash, in-your-face album that begs to be put on repeat. As a member of the Rihanna Navy, I can say for sure that no, that Rihanna reign just won't let up.
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